Marenzio wrote at least 500 madrigals, some of which are considered to be the most famous examples of the form, and he was an important influence on the composer Claudio Monteverdi. 1553? Madrigal. • Switch back to classic skin, Alternative Names/Transliterations: Luca Marentio, Ahi dispietata morte, ahi crudel vita (Marenzio, Luca), Ahime ch’io peno et ardo (Marenzio, Luca), Ahimè, tal fu d'Amore e l'esca e l'amo (Marenzio, Luca), Al suon delle dolcissime parole (Marenzio, Luca), Amor i ho molti e molt’anni pianto (Marenzio, Luca), Antequam comedam suspiro (Marenzio, Luca), Apollo, s'ancor vive il bel desio (Marenzio, Luca), L'aura serena che fra verdi fronde (Marenzio, Luca), La bella Ninfa mia, ch’al Tebro infiora (Marenzio, Luca), Ben mi credetti già d'esser felice (Marenzio, Luca), Cantate, Ninfe leggiadrette e belle (Marenzio, Luca), Cantava la più vaga pastorella (Marenzio, Luca), Caro dolce mio ben chi mi vi toglie (Marenzio, Luca), Chi vuol udir i miei sospiri in rime (Marenzio, Luca), Chiaro segno Amor pose alle mie rime (Marenzio, Luca), Come fuggir per selva ombrosa (Marenzio, Luca), Come inanti de l'alba ruggiadosa (Marenzio, Luca), Così nel mio parlar voglio esser aspro (Marenzio, Luca), Cruda Amarilli che co ’l nom’ancora (Marenzio, Luca), Crudele acerba inesorabil’ morte (Marenzio, Luca), Danzava con maniere sopre humane (Marenzio, Luca), Degli occhi il dolce giro (Marenzio, Luca), Deh rinforzate il vostro largo pianto (Marenzio, Luca), Deh, vezzose del Tebro amate Ninfe (Marenzio, Luca), Dissi a l’amata mia lucida stella (Marenzio, Luca), Dolorosi martir, fieri tormenti (Marenzio, Luca), Dura legge d’amor ma benché obliqua (Marenzio, Luca), Ecco più che mai bella e vaga l'aura (Marenzio, Luca), Et respicientes viderunt revolutum lapidem (Marenzio, Luca), Fiere silvestre che per lati campi (Marenzio, Luca), Fillida mia più che i ligustri bianca (Marenzio, Luca), Già Febo il tuo splendor rendeva chiaro (Marenzio, Luca), Gia torna a rallegrar l'aria e la terra (Marenzio, Luca), Giovane Donna sott'un verde lauro (Marenzio, Luca), Hic est martinus electus (Marenzio, Luca), Hodie Christus natus est (Marenzio, Luca), Hor ch’esce fuor l’Aurora (Marenzio, Luca), I lieti amanti e la fanciulle tenere (Marenzio, Luca), I' piango; et ella il volto (Marenzio, Luca), Io son Amore pieno d'ardore (Marenzio, Luca), Itene à l’ombra de gli ameni faggi (Marenzio, Luca), Lasso ch'io ardo e'l mio bel sole ardente (Marenzio, Luca), Lasso, dicea, perche venisti Amore (Marenzio, Luca), Liquide perle Amor da gli occhi sparse (Marenzio, Luca), L’aura che ’l verde lauro e l’aureo crine (Marenzio, Luca), Madonna mia gentil, ringrazio Amore (Marenzio, Luca), Madonna poi ch'uccider mi volete (Marenzio, Luca), Madonna, sua mercé, pur una sera (Marenzio, Luca), Mentre fia caldo il sol, fredda la neve (Marenzio, Luca), Mentre l'aura spirò nel verde Lauro (Marenzio, Luca), Mentre sul far del giorno (Marenzio, Luca), Missa super iniquos odio habui (Marenzio, Luca), Nativitas gloriosae Virginis Mariae (Marenzio, Luca), Né fero sdegno mai, Donna (Marenzio, Luca), Nessun visse già mai più di me lieto (Marenzio, Luca), Non vidi mai dopo notturna pioggia (Marenzio, Luca), Nuova angioletta sovra l'ale accorte (Marenzio, Luca), O bella man che mi distringi il core (Marenzio, Luca), O disaventurosa acerba sorte (Marenzio, Luca), O quam gloriosum est regnum (Marenzio, Luca), O tu che fra le selve occulta vivi (Marenzio, Luca), O voi che sospirate a miglior note (Marenzio, Luca), Ohimè dov'è il mio ben, dov'è il mio core? Fortunately, the score of his opera Orfeo , printed in 1609, has come down to us, and is quite sufficient to indicate the inventive powers of a musician who broke away from the trammels of the older school and created a school of his own. Musica transalpina was a collection of Italian madrigals, mostly by Ferrabosco and Marenzio, fitted with English words. Ch'avete del mio afflitto cor le chiavi, Non mi perseguitate, Ch'ho gelosia del sol che voi mirate. ? The length of the program varies, according to the individual needs of each student. Gia, Febo, il tuo splendor; Hor tu gli cedi — Luca Marenzio. Italian composer Luca Marenzio (1553-1599) was the major figure in the Italian madrigal just before Monteverdi. If you use and like Free-scores.com, thank you to consider support donation. These compositions, over 400 in number, include settings of verses by Dante, Petrarch, Ariosto, Guarini and Tasso. Luca Marenzio: The Complete Six Voice Madrigals Volume 5 — Luca Marenzio. 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